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Author: Ashish Dwivedi

Ashish Dwivedi is an Indian academic researcher and creative writer, and holds an M.Phil. in English Literature from Swansea University (U.K.). Most of his work structures around the thematic cusps of liberation, satire, and tragedy. His creativity has been featured/is upcoming in Literary Heist, Muse India, Poetry Pacific, and the Oddball Magazine, amongst other places. Currently, he volunteers at Tint Journal (Graz, Austria) as Assistant Editor of Poetry and Fiction; aspires to begin his doctorate on a surprising subject; and plans a second-trip to Mussoorie.

Please

March 20, 2023March 19, 2023Ashish Dwivedi 0
Please

please do not bleed,
not right now.

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The Jejune

September 20, 2022December 20, 2022Ashish Dwivedi 0
The Jejune

The jejune shares a handsome similitude with Mammon, in his politically-correct dysplasia, and  his ability to fake.

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Helen, Life and Times – Unafraid Minutes on Hindustani Cinema and its Deployment of Helen

June 20, 2022September 20, 2022Ashish Dwivedi 5
Helen, Life and Times – Unafraid Minutes on Hindustani Cinema and its Deployment of Helen

This book can elicit an infectious curiosity about Bollywood amongst audiences beyond the mediascape of India/South Asia.

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An Apology for M.Phil.

March 20, 2022June 21, 2022Ashish Dwivedi 0
An Apology for M.Phil.

A globally-acknowledged degree, of respected stature and ancient origins, does not find a place in the popular imagination.

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The Making of a Martyr: George Floyd & the Cycle of History

March 20, 2021June 20, 2021Ashish Dwivedi 0
The Making of a Martyr: George Floyd & the Cycle of History

Locations and contexts of sub-human brutalities.

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The Human-Actor, Moments to Anagnorisis

June 21, 2020September 20, 2020Ashish Dwivedi 0
The Human-Actor, Moments to Anagnorisis

Shakespeare had once composed, and asked Jacques to tell the literary world of a ball that was, to him, a stage.

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Chants, Prayers, Foster

March 20, 2020June 21, 2020Ashish Dwivedi 0
Chants, Prayers, Foster

The work is inexplicable.

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March 20, 2023
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